The Virgin Blue
Tracy Chevalier, 1997
Penguin Group USA
320 pp.
ISBN-13: 9780452284449
Summary
The compelling story of two women, born four centuries apart, and the ancestral legacy that binds them. Ella Turner does her best to fit in to the small, close-knit community of Lisle-sur-Tarn. She even changes her name back to Tournier, and learns French. In vain. Isolated and lonely, she is drawn to investigate her Tournier ancestry, which leads to her encounter with the town's wolfish librarian.
Isabelle du Moulin, known as Le Rousse due to her fiery red hair, is tormented and shunned in the village—suspected of witchcraft and reviled for her association with the Virgin Mary. Falling pregnant, she is forced to marry into the ruling family: the Tourniers. Tormentor becomes husband, and a shocking fate awaits her.
Plagued by the color blue, Ella is haunted by parallels with the past, and by her recurring dream. Then one morning she wakes up to discover that her hair is turning inexplicably red...
Alternating between the stories of Ella and Isabelle, The Virgin Blue is a haunting tale of ancestral legacies set against a dazzlingly descriptive portrait of French provincial life today, as well as of the hardships—and harsh beauty—of life in the sixteenth century. (From the publisher.)
Author Bio
• Birth—October 19, 1962
• Where—Washington, D.C., USA
• Education—B.A., Oberlin College (USA); M.A., University of
East Anglia (UK)
• Currently—lives in London, UK
Raised in Washington D.C., Tracy Chevalier moved to England in 1984 after graduating from Oberlin College in Ohio. Initially intending to attend one semester abroad, she studied for a semester and never returned. After working as a literary editor for several years, Chevalier chose to pursue her own writing career and in 1994, she graduated with a degree in creative writing at the University of East Anglia. The Virgin Blue (her first novel), was chosen by W. H. Smith for its Fresh Talent promotion in 1997. She lives in London with her husband and son and hopes to see all of Vermeer's thirty-five known paintings in her lifetime (thus far, she's seen twenty-eight of them).Tracy Chevalier first gained attention by imagining the answer to one of art history's small but intriguing questions: Who is the subject of Johannes Vermeer's painting "Girl with a Pearl Earring"?
It was a bold move on Chevalier's part to build a story around the somewhat mysterious 17th-century Dutch painter and his unassuming but luminous subject; but the author's purist approach helped set the tone. In an interview with her college's alumni magazine, she commented:
I decided early on that I wanted [Girl] to be a simple story, simply told, and to imitate with words what Vermeer was doing with paint. That may sound unbelievably pretentious, but I didn't mean it as "I can do Vermeer in words." I wanted to write it in a way that Vermeer would have painted: very simple lines, simple compositions, not a lot of clutter, and not a lot of superfluous characters.
Chevalier achieved her objective expertly, helped by the fact that she employed the famous Girl as narrator of the story. Sixteen-year-old Griet becomes a maid in Vermeer's tumultuous household, developing an apprentice relationship with the painter while drawing attention from other men and jealousy from women. Praise for the novel poured in: "Chevalier's exploration into the soul of this complex but naïve young woman is moving, and her depiction of 17th-century Delft is marvelously evocative," wrote the New York Times Book Review. The Wall Street Journal called it "vibrant and sumptuous."
Girl with a Pearl Earring was not Chevalier's first exploration of the past. In The Virgin Blue, her U.K.-published first novel (due for a U.S. edition in 2003), her modern-day character Ella Turner goes back to 16th-century France in order to revisit her family history. As a result, she finds parallels between herself and a troubled ancestor -- a woman whose fate had been unknown until Ella discovers it.
With 2001's Falling Angels, Chevalier -- a former reference book editor who began her fiction career by enrolling in the graduate writing program at University of East Anglia -- continued to tell stories of women in the past. But she has been open about the fact that compared to writing Girl with a Pearl Earring, the "nightmare" creating of her third novel was difficult and fraught with complications, even tears. The pressure of her previous success, coupled with a first draft that wasn't working out, made Chevalier want to abandon the effort altogether. Then, reading Barbara Kingsolver's The Poisonwood Bible led Chevalier to change her approach. "[Kingsolver] did such a fantastic job using different voices and I thought, with Falling Angels, I've told it in the wrong way," Chevalier told Bookpage magazine. "I wanted it to have lots of perspective."
With that, Chevalier began a rewrite of her tale about two families in the first decade of 20th-century London. With more than ten narrators (some more prominent than others), Falling Angels has perspective in spades and lots to maintain interest over its relatively brief span: a marriage in trouble, a girlhood friendship born at Highgate Cemetery, a woman's introduction to the suffragette movement. A spirited, fast-paced story, Falling Angels again earned critical praise. "This moving, bittersweet book flaunts Chevalier's gift for creating complex characters and an engaging plot," Book magazine concluded.
Chevalier continues to pursue her fascination with art and history in her fourth novel, on which she is currently at work. According to Oberlin Alumni Magazine, she is basing the book on the Lady and the Unicorn medieval tapestries that hang in Paris's Cluny Museum.
Extras
(From a 2003 Barnes & Noble interview)
• Chevalier's interest in Vermeer extends beyond a fascination with one painting. "I have always loved Vermeer's paintings," Chevalier writes on her Web site. "One of my life goals is to view all thirty-five of them in the flesh. I've seen all but one -- ‘Young Girl Reading a Letter' -- which hangs in Dresden. There is so much mystery in each painting, in the women he depicts, so many stories suggested but not told. I wanted to tell one of them."
• Chevalier moved from the States to London in 1984. "I intended to stay six months," she writes. "I'm still here." She lives near Highgate Cemetery with her husband and son.
• The film version of Girl with a Pearl Earring is on the 2003 slate from Lions Gate Films, with Scarlett Johansson in the role of Griet and Colin Firth playing Vermeer.
• When asked what book most influenced her life as a writer, here is her response:
It's impossible to list just one! I would say more generally— books that I read when I was a girl, that showed me how different worlds can be brought to life for a reader. My aunt likes to quote that when I was young I once said I was never alone when I had a book to read. (I don't remember saying that, but my aunt isn't prone to lying.) Those companions would be books like the Laura Ingalls Wilder series; Anne of Green Gables by L. M. Montgomery; A Wrinkle in Time by Madeleine L'Engle; The Egypt Game by Zylpha Keatley Snyder; the Dark Is Rising series by Susan Cooper; The Wolves of Willoughby Chase by Joan Aiken plus subsequent books in that series; and of course The Lord of the Rings by J.R.R. Tolkien.
• Her other favorite books include: Pride and Prejudice (Austen), The Sound and the Fury (Faulkner), Anna Karenina (Tolstoy), The Catcher in the Rye (Salinger), Alias Grace (Atwood), and Song of Solomon (Morrison). (Author bio and interview from Barnes & Noble.)
Book Reviews
Where Chevalier shines is in her clean prose and her descriptions of rural French and Swiss life, then and now.
Michael Harris - Los Angeles Times
As she did in her 2000 bestseller Girl With a Pearl Earring, Chevalier brings a distant time and place vividly alive.... Elegantly drawn.
People
Chevalier's clunky first novel, initially published in England in 1997, lacks the graceful literary intimacy of her subsequent runaway hit, Girl with a Pearl Earring. In split-narrative fashion, it follows a transplanted American woman in southwestern France as she connects through dreams with her distant Huguenot ancestors. The primary plot concerns the plight of Ella Turner, an insecure American midwife of French ancestry. Her architect husband, Rick, has been transferred from California to Toulouse, France, with Ella accompanying him. Often left alone, she becomes lonely and isolated, and when she decides it's time to have a baby, she begins dreaming of medieval scenes involving a blue dress. In alternating sections of the novel, these details are developed in a narrative about a 16th-century French farm girl and midwife, Isabelle du Moulin, and her eventual marriage to overbearing tyrant Etienne Tournier. Isabelle and Etienne belong to a vehemently anti-Catholic Calvinist sect that overthrows the village's cult of the Virgin, who is also known as La Rousse and depicted in paintings as red-haired and wearing a blue dress. Because of her own red hair and midwifery practice, Isabelle is suspected by her husband of witchcraft and punished accordingly. Ella, with the help of magnetic local librarian Jean-Paul, researches the lives of Isabelle and Etienne, trying to get to the bottom of her strange dreams. Chevalier tries hard to make Ella sympathetic, but her dissatisfaction with Rick is baffling, as is her attraction to the chauvinistic Jean-Paul. Equally difficult to swallow is the heavy-handed plot, which relies on jarring coincidences as it swerves unsteadily from past to present.
Publishers Weekly
Written well before her popular Girl with a Pearl Earring and previously published in England, this brilliant hybrid historical novel/contemporary romance/mystery has the signature Chevalier touches of fluid language, strong characters, and imaginative plotting. At loose ends after arriving in France with her architect husband, American midwife Ella Turner decides to research her elusive Huguenot ancestors, the Tourniers. Soon, however, her marriage founders (repeated encounters with an intriguing French librarian don't help), and Ella starts to have troubling dreams featuring the color blue. Flashbacks to the 16th century introduce Isabelle-also a midwife-who married into the Tournier family and is suspected by her rabidly anti-Catholic husband of continuing to worship the Virgin Mary. The punishment he finally exacts for her perceived crime is horrific. Fans of A.S. Byatt's Possession should enjoy this work, though it's Byatt with a soup on of Shirley Jackson's "The Lottery"; the startling ending, when all the (blue) threads are tied together, is not for the squeamish. This marvelous piece of writing firmly establishes Chevalier as a talent who's been worth watching. Highly recommended for both public and academic libraries. —Jo Manning, Miami Beach, FL
Library Journal
A rich and quirky Chinese puzzle of sorts: a family saga turns into a mystery, then is finally revealed as a domestic drama about a young American living in France who finds her own life intersecting with the history of her ancestors in palpable and uncanny ways. Chevalier’s first novel (never before published here) is set in Lisle-sur-Tarn, a little French town that’s a long way from California, both geographically and culturally. But when Ella Turner’s husband Rick accepted a job in Toulouse, Ella chose picturesque and sleepy Lisle for their new home. It was an eerie choice, for it turns out that Ella’s ancestors—the Tourniers—had lived in Lisle until the 16th century. Ella tries to settle into her new surroundings with good grace—studying French, introducing herself to the locals, socializing with Rick’s colleagues—but she’s soon at loose ends. To begin with, she starts to have a recurring dream—a wordless image of vivid blue—that leaves her increasingly troubled. She also develops a persistent case of eczema, which her doctor suggests may be brought on by stress. What sort of stress? And she finds herself unable to make friends in Lisle. Her only real confidant is Jean-Paul, the town librarian who helps her to research her family history. With his guidance, Ella pieces together the saga of the Tourniers, Protestant Huguenots who had to flee France during the religious wars of the late 16th century. Their story takes on a personal significance for Ella, who discovers a picture by one of her ancestors in the local museum, painted in exactly the same shade of blue that she sees in her dream. Chevalier (Girl With a Pearl Earring , 2000, etc.) contrasts Ella’s investigations with chapters relating the adventures of ancestor Isabelle de Moulin Tournier, whose life parallels Ella’s in many ways. Soon Ella realizes she’s looking into her past out of something more than idle curiosity. A modest work of some skill, told with a minimum of melodrama and some good local color.
Kirkus Reviews
Discussion Questions
1. Discuss the commonalities between Isabelle and Ella. Do you feel that they mirror each other?
2. Compare Isabelle's 16th century France to Ella's modern day France. Are there any similarities? Differences?
3. Do you think Ella is harsh on Rick for his inability to understand her? Do you think she is justified in her behavior?
4. Does your opinion of Jean Paul fluctuate throughout the novel?
5. How Ella's goal of getting pregnant interrupted? What does the interruption say about her feeling toward Rick?
6. How do the locals in France receive Ella? Does Rick have the same experience? Would Ella have known what the locals were saying about her without Jean Paul telling her?
7. Describe Ella's relationship with her cousin Jacob like? How do he and his wife help Ella feel "at home"?
8. Discuss the significance of Ella's hair gradually turning red. Discuss her reaction. What is Rick's reaction?
9. Who do you consider to be the heroine of this novel?
10. What was your reaction to Ella finding Marie? What was your reaction to Ella showing Sylvie Marie's bones?
11. Why does Ella get psoriasis? What does it represent? How does it make her feel about herself? How does Rick react to it?
12. Hannah's last audible words are "we are safe". Why does she stop speaking?
13. How does Ella know that the baby she conceived is Rick's and not Jean Paul's? Do you think she'd rather be pregnant with Jean Paul's baby?
14. Why does Ella steal Jean Paul's blue shirt? How does this link them metaphorically?
15. Discuss Rick's reaction to Ella's affair with Jean Paul.
16. Overall, do you consider this to be Ella's story or Isabelle's story?
(Questions issued by publisher.)
top of page