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Schlink's latest novel...is again an ernest effort to combine high seriousness with literary appeal. It is a good sujbect.... [T]he main fault in Schilnk's novel [is] the tendency fo lecture, without humor or much element of surprise.... But good intentions are not sufficient to creat an interesting story.
Ian Buruma - New York Times Book Review


Old friends cautiously reunite at an isolated German estate after one of them is released from prison in Schlink's (The Reader) meditative novel on the past's grip on the present and the possibility—or impossibility—of redemption. Convicted of quadruple murder and numerous acts of terrorism on behalf of the radical left, Jorg spent 24 years in prison before being unexpectedly pardoned. His sister, Christiane--whose obsessive concern for her brother's welfare has turned her into a borderline recluse—arranges a gathering to welcome Jorg back into society. Among those assembled are journalist Henner, whom Jorg believes betrayed him to the police; quiet Ilse, using the weekend to begin a novel about a common friend's alleged suicide; and Marko, a young revolutionary keen on convincing Jorg to use his newly earned freedom to speak out against the current government. Schlink avoids the easy route of condemnation and salvation, never lingering too long on Jorg's crimes—though the ties to the RAF aren't cloaked—and though the past is admirably handled (sketched in, but not overbearing), the book's real strength is the finely wrought dynamics among the characters, whose relationships and histories are fraught with a powerful sense of tension and possibly untoward potential
Publishers Weekly


Would you die for a cause? Would you killfor one? Jorg was willing to kill, going after capitalists and anyone else who got in his way back in Eighties Germany. Now, after 24 years in prison, he's being released. Is he contrite? Still a firebrand? In Schlink's probing new work, it's more complicated than that. Jorg's sister Christiane has planned a get-together with old friends at the country house she shares with Margarete—a welcome-home party for a murderer. There's Henner, whom Jorg suspects of having betrayed him; Ulrich, who baits Jorg and whose daughter tries to seduce him; Karin, now an irritatingly patient and loving minister; quiet Ilse, who's writing a fictional account about another member of their group; and assorted spouses. Enter Marko, a crafty young revolutionary who wants Jorg to rejoin the cause, and an anonymous visitor who turns out to have a shattering connection to Jorg. Verdict: Schlink (The Reader) deftly manages his characters' interlocking stories yet refuses to give readers an easy answer to the central dilemma: How are we supposed to feel about Jorg? That might frustrate some readers, but the ambiguity is realistic and the book itself a beautifully crafted and stimulating read. —Barbara Hoffert
Library Journal