Book Reviews
Female bonding is always good for a good cry, as Hannah (True Colors ) proves in her latest. Pacific Northwest apple country provides a beautiful, chilly setting for this family drama ignited by the death of a loving father whose two daughters have grown apart from each other and from their acid-tongued, Russian-born mother. After assuming responsibility for the family business, 40-year-old empty-nester Meredith finds it difficult to carry out her father’s dying wish that she take care of her mother; Meredith’s troubled marriage, her troubled relationship with her mother and her mother’s increasingly troubled mind get in the way. Nina, Meredith’s younger sister, takes a break from her globe-trotting photojournalism career to return home to do her share for their mother. How these three women find each other and themselves with the help of vodka and a trip to Alaska competes for emotional attention with the story within a story of WWII Leningrad. Readers will find it hard not to laugh a little and cry a little more as mother and daughters reach out to each other just in the nick of time.
Publishers Weekly
Middle-aged sisters Meredith and Nina have always felt distanced from their Russian-born mother, Anya. But when their beloved father dies, he leaves them with a wish—for them to become closer to their mother and for Anya to reveal the truth about her past. Meredith's and Nina's troubled relationship with their mother is mirrored in their relationships with men. Meredith has grown apart from Jeff, her childhood sweetheart and longtime husband. And Nina travels the world as a freelance photographer, meeting up occasionally with lover Danny. Things have to fall apart before they get better, so after Jeff leaves Meredith and Nina's work begins to suffer, the sisters spend more time with Anya, who finally reveals more of the fairy tale she had told her daughters in their childhood. It doesn't take long for Meredith and Nina to figure out that this is really the true story of their mother's life in Leningrad during World War II. Verdict: This tearjerker weaves a convincing historical novel and contemporary family drama with elements of romance. It is sure to please fans of Danielle Steel, Luanne Rice, and Nicholas Sparks. —Karen Core, Detroit P.L.
Library Journal
A Russian refugee's terrible secret overshadows her family life. Meredith, heir apparent to her family's thriving Washington State apple enterprises, and Nina, a globetrotting photojournalist, grew up feeling marginalized by their mother. Anya saw her daughters as merely incidental to her grateful love for their father Evan, who rescued her from a German prison camp. The girls know neither their mother's true age, nor the answers to several other mysteries: her color-blindness, her habit of hoarding food despite the family's prosperity and the significance of her "winter garden" with its odd Cyrillic-inscribed columns. The only thawing in Anya's mien occurs when she relates a fairy tale about a peasant girl who meets a prince and their struggles to live happily ever after during the reign of a tyrannical Black Knight. After Evan dies, the family comes unraveled: Anya shows signs of dementia; Nina and Meredith feud over whether to move Mom from her beloved dacha-style home, named Belye Nochi after the summer "white nights" of her native Leningrad (St. Petersburg). Anya, now elderly but of preternaturally youthful appearance—her white hair has been that way as long as the girls can remember—keeps babbling about leather belts boiled for soup, furniture broken up for firewood and other oddities. Prompted by her daughters' snooping and a few vodka-driven dinners, she grudgingly divulges her story. She is not Anya, but Vera, sole survivor of a Russian family; her father, grandmother, mother, sister, husband and two children were all lost either to Stalin's terror or during the German army's siege of Leningrad. Anya's chronicle of the 900-day siege, during which more than half a million civilians perished from hunger and cold, imparts new gravitas to the novel, easily overwhelming her daughters' more conventional "issues." The effect, however, is all but vitiated by a manipulative and contrived ending. Bestselling Hannah sabotages a worthy effort with an overly neat resolution.
Kirkus Reviews