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The second volume of Ken Follett’s Century Trilogy, Winter of the World, improves on Fall of Giants, the first. For one thing, it weighs in at 940 pages, which by Follett standards is concise. For another, it dispenses with some of the waxenness of its 985-page predecessor and breathes life into its fictional characters.... Mr. Follett is best appreciated as a novelist, not a historian. What he knows how to do is put readers’ hearts in throats, as when he sends one whole family of key characters to Hawaii for a December vacation in 1941. The best of this book, the latter half, is as gripping as it is manipulative. It makes the biggest tectonic shifts of its era—the struggle between Communism and Fascism, the irreversible march of science toward nuclear weapons, the laying of groundwork for the coming cold war—feel momentous indeed. So it would be surprising if this second installment did not prove to be the most powerful part of Mr. Follett’s trilogy: because its naïve characters improve over time, because its era is more approachable than the malaise-ridden later 20th century and because Mr. Follett is so reassuringly old-school.
Janet Maslin - New York Times


Suspenseful, tightly constructed, sharply characterized, plot-driven.... Some of the biggest-picture fiction being written today.
Seattle Times


This second installment of Follett’s epic Century trilogy is just as potent, engrossing, and prolix as the opening opus, Fall of Giants. Continuing the histrionics of the five families introduced in Fall, this masterfully conceived novel picks up in 1933 as Carla von Ulrich, 11, feels the horror of Nazi encroachment in Germany and proves a staunch resister, while her older brother, Erik, becomes an infatuated soldier. Elsewhere, English student Lloyd Williams aggressively resists the Fascists in the Spanish Civil War. Later, wealthy American brothers Chuck (a closeted homosexual) and Woody Dewar head to the South Seas to fight the good fight as socialite Daisy Peshkov, Woody’s first love, is swept up with Lloyd and the drama of war. Rife with plot lines, interpersonal intrigue, sweeping historical flourishes, and an authentic and compelling cast, this is a tale of dynamic characters struggling to survive during one of the world’s darkest periods. While some may find Follett’s verbosity daunting, others will applaud his dedication and ability to keep so many plots spinning while delivering a story that educates, entertains, and will leave fans eagerly awaiting the trilogy’s crowning capstone.
Publishers Weekly


The second volume in Follett's trilogy of the 20th century traces the intertwined histories of the same five families—Welsh, English, German, Russian and American—that were featured in Fall of Angels. In 1933, Hitler's acolytes seize power; in a particularly disturbing scene, Brownshirts destroy the offices of an opposition newspaper while smiling police look on. By 1948, the Axis has been defeated, but Europe is split between Eastern and Western Europe, Communists are gaining in the West, and the Soviets have the bomb. The Berlin airlift has begun. Follett's latest novel is a tale of heroes and heroic acts. In the hands of a less adroit storyteller, it would be hackneyed, but Follett moves his stock figures through interesting situations and draws the reader in to care what happens to them. The next thing you know, you've read all 960 pages of this enjoyable novel. Verdict: This second installment will be just as popular as its predecessor, and it deserves to be. —David Keymer, Modesto, CA
Library Journal


Follett never lets the action lag as he adeptly ties together all the sweeping economic, cultural, political, and social transformations of the entire era.
Booklist


Follett continues the trilogy begun with Fall of Giants (2010) with a novel that ranges across continents and family trees. It makes sense that Follett would open with an impending clash, since, after all, it's Germany in 1933, when people are screaming about why the economy is so bad and why there are so many foreigners on the nation's streets. Follett's big project, it seems, is to reduce the bloody 20th century to a family saga worthy of a James Michener, and, if the writing is less fluent than that master's, he succeeds.... Stay tuned. An entertaining historical soap opera.
Kirkus Reviews