Wonder Boys
Michael Chabon, 1995
Random House
368 pp.
ISBN-13: 9780812979213
Summary
Michael Chabon's Grady Tripp is one messed up college writing professor—his marriage is breaking up, his girlfriend (wife of the dean) is pregnant, his marijuana habit is taking over and his editor is just about out of a job.
Tripp has published a few moderately successful novels but is strangling his creativity with introspection and marijuana—never finishing a 2,000-plus-page novel called Wonder Boys.
When his editor and best friend, Terry Crabtree, comes to town and spreads chaos, Tripp goes along for the ride. Farcical misadventures dominate, from a picked-up transvestite to a wild ride in a stolen car that contains a tuba and the corpses of a dog and a boa constrictor.
Chabon writes with a wry, vulnerable wit that cleaves open the minds of his wonderful characters while his clean prose keeps the madcap story going so well that you'll want it to never end. (From the publisher.)
Author Bio
• Birth—May 24, 1963
• Where—Washington, D.C.
• Education—B.A., University of Pittsburgh; M.F.A., University of California-Irvine
• Awards—Pulitzer Prize
• Currently—lives in Berkeley, California
Michael Chabon (SHAY-bon) is an American novelist and short story writer. His first novel, The Mysteries of Pittsburgh, was published in 1988 when he was still a graduate student. In 2000, Chabon published The Amazing Adventures of Kavalier & Clay, a novel that New York Times's John Leonard, once referred to as Chabon's magnum opus. It received the Pulitzer Prize for Fiction in 2001. All told, Chabon has published nearly 10 novels, including a Young Adult novel, a children's book, two collection of short stories, and two collections of essays.
Early years
Michael Chabon was born in Washington, DC to Robert Chabon, a physician and lawyer, and Sharon Chabon, a lawyer. Chabon said he knew he wanted to be a writer when, at the age of ten, he wrote his first short story for a class assignment. When the story received an A, Chabon recalls, "I thought to myself, 'That's it. That's what I want to do.... And I never had any second thoughts or doubts."
His parents divorced when Chabon was 11, and he lived in Columbia, Maryland, with his mother nine months of the year and with his father in Pittsburgh, Pennsylvania, during the summertime. He has written of his mother's marijuana use, recalling her "sometime around 1977 or so, sitting in the front seat of her friend Kathy's car, passing a little metal pipe back and forth before we went in to see a movie." He grew up hearing Yiddish spoken by his mother's parents and siblings.
Chabon attended the University of Pittsburgh, where he studied under Chuck Kinder and received a Bachelor of Arts in 1984. He then went to graduate school at the University of California-Irvine, where he received a Master of Fine Arts in creative writing.
Initial success
While he was at UC, his Master's thesis was published as a novel. Unbeknownst to Chabon, his professor sent it to a literary agent—the result was a publishing contract for The Mysteries of Pittsburgh and an impressive $155,000 advance. Mysteries appeared in 1988, becoming a bestseller and catapulting Chabon to literary stardom.
Chabon was ambivalent about his new-found fame. He turned down offers to appear in a Gap ad and to be featured as one of People's "50 Most Beautiful People." Years later, he reflected on the success of his first novel:
The upside was that I was published and I got a readership.... [The] downside...was that, emotionally, this stuff started happening and I was still like, "Wait a minute, is my thesis done yet?" It took me a few years to catch up.
Personal
His success had other adverse affects: it caused an imbalance between his and his wife's careers. He was married at the time to poet Lollie Groth, and they ended up divorcing in 1991. Two years later he married the writer Ayelet Waldman; the couple lives in Berkeley, California, with their four children.
Chabon has said that the "creative free-flow" he has with Waldman inspired the relationship between Sammy Clay and Rosa Saks in The Amazing Adventures of Kavalier & Clay. Entertainment Weekly declared the couple "a famous—and famously in love—writing pair, like Nick and Nora Charles with word processors and not so much booze."
In a 2012 NPR interview, Chabon told Guy Raz that he writes from 10 p.m. to 3 a.m. each day, Sunday through Thursday. He attempts 1,000 words a day. Commenting on the rigidity of his routine, Chabon said,
There have been plenty of self-destructive rebel-angel novelists over the years, but writing is about getting your work done and getting your work done every day. If you want to write novels, they take a long time, and they're big, and they have a lot of words in them.... The best environment, at least for me, is a very stable, structured kind of life.
Novels
1988 - The Mysteries of Pittsburgh
1995 - The Wonder Boys
2000 - The Amazing Adventures of Kavalier & Clay
2002 - Summerland (Young Adult)
2004 - The Final Solution
2007 - The Yiddish Policemen's Union
2007 - Gentlemen of the Road
2012 - Telegraph Avenue
2016 - Moonglow
(Author bio adapted from Wikipedia. Retrieved 10/2/2016.)
Book Reviews
The young star of American letters…a writer not only of rare skill and wit but a self—evident and immensely appealing generosity.
Jonathan Yardley - The Washington Post Book Review
[A] wise, wildly funny story…Chabon is a flat—out wonderful writer—evocative and inventive, pointed and poignant.
Shelby Hearon - Chicago Tribune
A beguiling and wickedly smart novel....There is first-rate satirical farce in Chabon's novel but essentially it is something rarer: satirical comedy.
Richard Eder - Lost Angeles Times Book Reveiw
Mixing comic—even slapstick—events with the serious theme of bright promise gone awry, Chabon has produced an impeccably constructed novel that sparkles with inventiveness and wit neatly permeated with rue. The once-promising eponymous "wonder boys'' are Grady Tripp and Terry Crabtree, friends since college, where they both determined to make their mark in literature. Now they are self-destructive adults whose rare meetings occasion an eruption of zany events. Narrator Grady, a professor/novelist whose unfinished work-in-progress, "Wonder Boys," stands at 2000-plus endlessly revised pages, has destroyed three marriages through compulsive philandering and a marijuana habit. Terry is a devil-may-care, sexually predatory editor who has patiently endured Grady's writing block but who tells Grady, when he arrives at the annual literary conference at Grady's small Pittsburgh college, that he expects to be fired momentarily from his job. Grady and Terry, later joined by the campus's newest potential "wonder boy,'' a talented but mendacious student named James Leer, set in motion a series of darkly funny misadventures. Farcical scenes arise credibly out of multiplying contretemps, culminating in a stoned Grady's wild ride in a stolen car in whose trunk rest a tuba and the corpses of a blind dog and a boa constrictor. All of this affords Chabon a solid platform for some freewheeling satire about the yearnings, delusions and foibles of writers and other folk. Throughout, his elegant prose, breathtaking imagery and wickedly on-target dialogue precisely illuminate his characters' gentle absurdities. The pace of this vastly entertaining novel never abates for a second, as we watch Grady slide inexorably into emotional and professional chaos. Above all, though, this is a feast for lovers of writing and books, with the author's fierce understanding of what Grady calls "the midnight disease," the irresistible, destructive urge of a writer to experience his characters' fates.
Publishers Weekly
Chabon himself is something of a wonder boy; his first novel, The Mysteries of Pittsburgh, presided on the New York Times Best Sellers list for 12 weeks. Here, his eponymous heroes are Grady, an aging author attempting to write his chef-d'oeuvre, and his randy editor, Tripp.
Library Journal
This is a genuinely funny, laugh-out-loud novel, a sort of "Fear and Loathing in Academia" if you will, but infused with tenderness and a bracing skepticism about our worship of literature. Chabon is known for his glisteningly precise and graceful prose, but he is also blessed with a wickedly imaginative and energetic sense of humor. His second novel takes place during the course of one extraordinarily hectic weekend during which his crazy hero, Professor Grady Tripp, manages to ruin two marriages, cause the death of a boa constrictor and a dog, save a student's life, attend a disastrous seder and a chaotic writers' conference, and lose the only copy of his manuscript. Now don't groan when I tell you that "Wonder Boys" is also the title of the novel Tripp has wasted seven years of his disorderly life on, because this is not your typical, bloodless novel-within-a-novel. It is, instead, a simultaneously hilarious and insightful tale about the Faustian bargains writers make, the fissures the act of writing rends in the wall between fact and fantasy, and, for good measure, the basic absurdity of human endeavors. It's also an uproarious portrait of the artist as self-indulgent fool. Tripp's "wonder boys" are, like Chabon, young writers who achieve instant success. The trick, then, is to maintain it. Whereas his endearingly addled and irresistible hero fails, Chabon, for all his musing on the dark side of the writer's life, is succeeding brilliantly.
Kirkus Reviews
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