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A] propulsive, twisty future-noir.... [Graedon’s] vision of the future is less alarmist than alarmingly within reach. Her attention to language—and the breakdown of language—invites comparisons to writers like Anthony Burgess and Lewis Carroll. Anana is an Alice figure, and the New York City she lives in a grim, Web 4.0 wonderland.
Daily Beast


Sharp ... dazzling ... a snappy, noir-inflected vision of a future New York suffering from an epidemic of aphasia brought on by super-smartphones.... Graedon’s language is sparklingly inventive...[and] so enjoyable...Graedon is too good a writer, it seems, to let an opportunity for linguistic play slip ... Despite all of its considerable linguistic sophistication, the novel offers a blunt message: Words are good. Reading is good. Books are good.
Slate.com


(Starred review.) [A] spectacular, ambitious debut..... With secret societies, conspiracies, and mega-corp Synchronic's menacing technologies, Graedon deploys all the hallmarks of a futuristic thriller, but avoids derivative doomsday sci-fi shtick. Instead, her novel is rife with literary allusions and philosophical wormholes that aren't only decorative but integral to characters' abilities and limitations in communicating, and it succeeds precisely because it's as full of humanity as it is of mystery and intellectual prowess.
Publishers Weekly


(Starred review.) What if we became so dependent on our gadgets that we lost our ability to speak? That's the big idea in Graedon's entertainingly scary debut... This is a remarkable first novel, combining a vividly imagined future with the fondly remembered past to offer a chilling prediction of where our unthinking reliance on technology is leading us. And, as you'd expect, Graedon's word choice is exquisite.
Booklist


(Starred review.) Language becomes a virus in this terrifying vision of the print-empty, Web-reliant culture of the 22nd century...[in this] complex thriller. In fact, the novel is as much about lexicography, communication and philosophy as it is about secret societies, conspiracies and dangerous technologies....  "The end of words would mean the end of memory and thought. In other words, our past and future." A wildly ambitious, darkly intellectual and inventive thriller about the intersection of language, technology and meaning.
Kirkus Reviews