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[T]he story of how [Plame's] career was derailed and her C.I.A. cover blown also has its combative side. But the real proof of Ms. Wilson’s fighting spirit is the form in which her version of events has been brought into the light of day.... What emerges is a sense of Ms. Wilson as an ambitious, gung-ho professional, dedicated to her work yet colorful in ways no Hollywood storyteller would dare to make up.
Janet Maslin - New York Times


The government redacted much of the significant information in the first section of Wilson's memoir, which concerns her career in the CIA. In print, a black bar omitted the words and passages; on audio, a tone does the deleting. Once the novelty of the beeps wears off, the incompleteness of Wilson's narrative, at first tantalizing, becomes frustrating. The constant interruptions make it difficult for a listener to assemble a coherent story. Once Wilson's identity is leaked by White House insiders, the memoir's redactions cease for the most part. Unfortunately, her distress over the attempted destruction of her and her husband's professional reputations is considerably less riveting than her spy career. Whiles neither a prose stylist or an actress, Wilson reads clearly, with immediacy and sincerity and a note of barely suppressed anger. Laura Rozen's afterword (occupying the last two CDs) fills in the gaps removed by the CIA. It's intriguing and considerably more polished. The two narratives create an interesting, if not entirely satisfying, account of a disturbing contemporary scandal.
Publishers Weekly