The Girl Who Fell to Earth: A Memoir
Sophia Al Maria, 2013
HarperCollins
288 pp.
ISBN-13: 9780061999758
Summary
When Sophia Al-Maria's mother sends her away from rainy Washington State to stay with her husband's desert-dwelling Bedouin family in Qatar, she intends it to be a sort of teenage cultural boot camp. What her mother doesn't know is that there are some things about growing up that are universal. In Qatar, Sophia is faced with a new world she'd only imagined as a child. She sets out to find her freedom, even in the most unlikely of places.
Both family saga and coming-of-age story, The Girl Who Fell to Earth takes readers from the green valleys of the Pacific Northwest to the dunes of the Arabian Gulf and on to the sprawling chaos of Cairo. Struggling to adapt to her nomadic lifestyle, Sophia is haunted by the feeling that she is perpetually in exile: hovering somewhere between two families, two cultures, and two worlds. She must make a place for herself—a complex journey that includes finding young love in the Arabian Gulf, rebellion in Cairo, and, finally, self-discovery in the mountains of Sinai.
The Girl Who Fell to Earth heralds the arrival of an electric new talent and takes us on the most personal of quests: the voyage home. (From the publisher.)
Author Bio
• Birth—ca. 1979-80
• Where—Puyallup, Washington, USA
• Raised—Doha, Qatar; Washington State
• Education—American University (Cairo,
Egypt); University of London
• Currently—lives in Doha, Qatar
Sophia Al-Maria is an artist, writer, and filmmaker. She studied comparative literature at the American University in Cairo, and aural and visual cultures at Goldsmiths, University of London. Her work has been exhibited at the Gwangju Biennale, the New Museum in New York, and the Architectural Association in London. Her writing has appeared in Harper's, Five Dials, Triple Canopy, and Bidoun.
Al Maria coined the term "Gulf Futurism" to explain an existing phenomenon she has observed in architecture, urban planning, art, aesthetics and popular culture in the post-oil Persian Gulf. Her interest in these areas arises from her youth growing up in the Persian Gulf area during the 1980s and 1990s, experiences she describes in The Girl Who Fell To Earth.
Gulf Futurism
Sharing some qualities with 20th century movements like Futurism, Gulf Futurism is evident in the agenda of the dominant class of this region, concerned with master planning and world building, and with a local youth culture that exhibits an asset bubble fuelled sense of entitlement and is preoccupied with fast cars and fast technology.
In an online 2007 essay, "The Gaze of Sci Fi Wahabi," Al Maria wrote:
The Arabian Gulf is a region that has been hyper-driven into a present made up of interior wastelands, municipal master plans and environmental collapse, thus making it a projection of a global future.
The themes and ideas present in Gulf Futurism include the isolation of individuals via technology, wealth and reactionary Islam, the corrosive elements of consumerism on the soul and industry on the earth, the replacement of history with glorified heritage fantasy in the collective memory and in many cases, the erasure of existing physical surroundings.
Informed by texts such as Baudrillard’s The Illusion of the End, As-Sufi’s Islamic Book of the Dead and Zizek’s The Desert of the Unreal, Gulf Futurism also uses imagery from Islamic eschatology, corporate ideology, posthumanism and the global mythos of Science Fiction.
Examples of Gulf Futurism can be seen in urban planning in cities such as Dubai and architectural bids such as the Al-Haram Masjid Mecca Expansion. The obsession with master plans is evident in the Qatar 2030 Vision document. There are also individual artists, such as musician Fatima Al Qadiri, who are concerned with its ideas as well as artists from previous generations such as Khalifa Al Qattan, Hassan Sharif and Mahmoud Sabri. Further examples compiled by Sophia Al Maria and Fatima Al Qadiri are included in a Dazed Digital article. (Adapted from Wikipedia.)
Book Reviews
This is a tale of strangers in strange lands: of Sophia's father…of Sophia's mother…and of Sophia herself, who navigates the chasms between cultures and places, tribal allegiances and interior spaces…[Al-Maria] offers us an original outlook on ancient ground—what any artist hopes to achieve.
Dalia Sofer - New York Times Book Review
[A] story as full of culture shock as it is of human candor…There's a scattered, unfinished quality to Al-Maria's story…And yet there is much to beguile you: a desperate search for identity, a frenzied motion between two worlds, the sheer love that impels that transit. For all the awkwardness of The Girl Who Fell to Earth, there is an undeniable urgency here. It's hard to look away from a heart cracked in two.
Marie Arana - Washington Post
In this funny, insightful memoir, artist, filmmaker, and writer Al-Maria chronicles being raised by an American mother from rural Washington State and a Bedouin father from Qatar. When Al-Maria’s father takes a second wife, Al-Maria and her mother return to America. But tensions mount when the author enters fifth grade and becomes quite curious about sex, culminating with Al-Maria being sent back to her father in the Arabian Gulf..... Her story is a satisfying trek through a complex cross-cultural landscape toward a creative and satisfying life.
Publishers Weekly
An Arab-American woman's riveting coming-of-age story.... [T]he author's account of living with her extended family [in Qatar] and noting class differences really shines. From an intimate vantage point, Al-Maria sees and translates challenges that the Bedouin, who lived for ages in the desert navigating by the stars, now face in the era of big cities and washers and dryers. What makes Al-Maria's story unique is not only its rare insider's glimpse of modern Bedouin life, but the outsider's sensibility that magnifies her exquisite observational gifts. Frank, funny and dauntless.
Kirkus Reviews
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