In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
Erik Larson, 2011
Crown Publishing
464 pp.
ISBN-13: 9780307408846
Summary
Erik Larson has been widely acclaimed as a master of narrative non-fiction, and in his new book, the bestselling author of Devil in the White City turns his hand to a remarkable story set during Hitler’s rise to power.
The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels.
But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming—yet wholly sinister—Goebbels, In the Garden of Beastslends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror. (From the publisher.)
Author Bio
• Birth—January 3, 1954
• Where—Brooklyn, New York, USA
• Raised—Freeport (Long Island), New York
• Education—B.A., University of Pennsylvania; M.S., Columbia University
• Awards—Edgar Award for Best Fact Crime, 2004
• Currently—lives in New York City and Seattle, Washington
Erik Larson is an American journalist and nonfiction author. Although he has written several books, he is particularly well-know for three: The Devil in the White City (2003), a history of the 1893 World's Columbian Exposition and serial killer H. H. Holmes, In the Garden of Beasts: Love, Terror, and An American Family in Hitler's Berlin (2011), a portrayal of William E. Dodd, the first American ambassador to Nazi Germany, and his daughter Martha, and Dead Wake: The Last Crossing of the Lusitania (2015).
Early life
Born in Brooklyn, Larson grew up in Freeport, Long Island, New York. He studied Russian history at the University of Pennsylvania and graduated summa cum laude in 1976. After a year off, he attended the Columbia University Graduate School of Journalism, graduating in 1978.
Journalism
Larson's first newspaper job was with the Bucks County Courier Times in Levittown, Pennsylvania, where he wrote about murder, witches, environmental poisons, and other "equally pleasant" things. He later became a features writer for the Wall Street Journal and Time magazine, where he is still a contributing writer. His magazine stories have appeared in The New Yorker, Atlantic Monthly, Harper's, and other publications.
Books
Larson has also written a number of books, beginning with The Naked Consumer: How Our Private Lives Become Public Commodities (1992), followed by Lethal Passage: The Story of a Gun (1995). Larson's next books were Isaac's Storm (1999), about the experiences of Isaac Cline during the Galveston Hurricane of 1900, and The Devil in the White City (2003), about the 1893 World's Columbian Exposition in Chicago and a series of murders by H. H. Holmes that were committed in the city around the time of the Fair.
The Devil in the White City won the 2004 Edgar Award in the Best Fact Crime category. Next, Larson published Thunderstruck (2006), which intersperses the story of Hawley Harvey Crippen with that of Guglielmo Marconi and the invention of radio. His next book, In the Garden of Beasts (2011), concerns William E. Dodd, the first American ambassador to Nazi Germany and his daughter. Dead Wake, published in 2015, is an account of the sinking of the Lusitania, which led to America's intervention in World War I.
Teaching and public speaking
Larson has taught non-fiction writing at San Francisco State University, the Johns Hopkins Writing Seminars, and the University of Oregon, and he has spoken to audiences from coast to coast.
Personal
Larson and his wife have three daughters. They reside in New York City, but maintain a home in Seattle, Washington. (From Wikipedia. Retrieved 2/17/2015.)
Book Reviews
In this mesmerizing portrait of the Nazi capital, Larson plumbs a far more diabolical urban cauldron than in his bestselling The Devil in the White City. He surveys Berlin, circa 1933 1934, from the perspective of two American naïfs: Roosevelt's ambassador to Germany, William Dodd, an academic historian and Jeffersonian liberal who hoped Nazism would de-fang itself (he urged Hitler to adopt America's milder conventions of anti-Jewish discrimination), and Dodd's daughter Martha, a sexual free spirit who loved Nazism's vigor and ebullience. At first dazzled by the glamorous world of the Nazi ruling elite, they soon started noticing signs of its true nature: the beatings meted out to Americans who failed to salute passing storm troopers; the oppressive surveillance; the incessant propaganda; the intimidation and persecution of friends; the fanaticism lurking beneath the surface charm of its officialdom. Although the narrative sometimes bogs down in Dodd's wranglings with the State Department and Martha's soap opera, Larson offers a vivid, atmospheric panorama of the Third Reich and its leaders, including murderous Nazi factional infighting, through the accretion of small crimes and petty thuggery. Photos.
Publishers Weekly
Best-selling author Larson (The Devil in the White City) turns his considerable literary nonfiction skills to the experiences of U.S. ambassador to Germany William E. Dodd and his family in Berlin in the early years of Hitler's rule. Dodd had been teaching history at the University of Chicago when he was summoned by FDR to the German ambassadorship. Larson, using lots of archival as well as secondary-source research, focuses on Dodd's first year in Berlin and, using Dodd's diary, chillingly portrays the terror and oppression that slowly settled over Germany in 1933. Dodd quickly realized the Nazis' evil intentions; his daughter Martha, in her mid-20s, was initially smitten by the courteous SS soldiers surrounding her family, but over time she, too, became disenchanted with the brutality of the regime. Along the way Larson provides portraits based on primary-source impressions of Hermann Göring, Joseph Goebbels, Heinrich Himmler, and Hitler himself. He also traces the Dodds' lives after their time in Germany. Verdict: Larson captures the nuances of this terrible period. This is a grim read but a necessary one for the present generation. Those who wish to study Dodd further can read Robert Dallek's Democrat & Diplomat. —Ed Goedeken, Iowa State Univ. Lib., Ames
Library Journal
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for In the Garden of Beasts:
1. William Dodd went to Germany believing that Hitler would have a positive influence on Germany. Why were so many at first enamored of Nazism and willing "to give Hitler everything he wants"?
2. How would you describe German society at the time of the Dodd Family's arrival in Berlin? Talk about the ways in which Germany appeared to be a modern, civilized society...and, of course, the way in which that appearance was at odds with reality.
3. What was it that made Dodd begin to suspect the rumors he had been hearing about Nazi brutality were true?
4. Why did Dodd's—and numerous others'—warnings about Hitler fall on indifferent ears in the US? What was the primary concern of the US in its relationship with Germany? Was the US stance one of purposeful ignorance...or of sheer disbelief?
5. Did America's own anti-semitism play any role in dismissing the growing chorus of concern ?
6. What do you think of William Dodd? What about him do you find admirable? Were you mildly amused or impressed by his sense of frugality?
7. What was Dodd's reputation among the "old hands" at the State Department? What role does class play in how he was viewed by his diplomatic peers?
8. What about Martha? What do you find in her character to admire...or not? Did she purposely allow herself to be blinded by Udet and Rudolf Diels...or was she truly dazzled by their charms? Her promiscuity could have made her a serious liability. Were you surprised that her parents seemed untroubled by her multiple love affairs, or that they didn't try to reign in her behavior?
9. How does Erik Larson portray Hitler in his book? Does he humanize him...or present him as a monster? How does he depict Goebbels and Goering...and other higher-ups in the Nazi party?
10. How does the fact that you know the eventual outcome of Nazi Germany affect the way you experience the book? Does foreknowledge heighten...or lessen the story's suspense. Either way...why?
11. What were events/episodes you find most chilling in Larson's account of the rise of Nazism?
12. What have learned about the period leading up the World War II that you hadn't known? What surprised you? What confirmed things you already knew?
13. Is this a good read? If you've read other books by Larson, how does this compare?
(Questions issued by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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