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Losing a job without just reason can cause the victim to become very angry. And wrath provides the one ingredient that had previously been absent from Browning’s writing. Fueled by rage, she has become not only an elegant and meditative writer but a pungently witty one, spinning out one-liners with throwaway ease. (“I began to knit him a scarf,” she discloses of a certain recalcitrant man. “Yes, I wanted to strangle him.”)....The most sensitive parts of Slow Love describe the triumph of spirit over circumstance.
Miranda Seymour - New York Times Book Review


Browning's 13-year-job as editor-in-chief of House & Garden fulfillingly defined her days and her identity; when the magazine folded two years ago, she was shaken to the core of her being. Having maintained her Westchester house, family of two grown sons, extensive garden, and frequent dining out, her life and general sense of self was radically shaken over the next year, and in this enchanting, funny, deeply gracious memoir, Browning, many years divorced, recounts how she found enlightenment at the other end. Writing was one way to absorb the panic; she went on a muffin-baking binge and gained 15 pounds; lost track of days, remaining comfortingly in her pjs and yearning perilously to reconnect to a former lover she calls Stroller, who was deemed wrong for her by everyone she knew. A few small decisions had enormous impact, such as when insomnia compelled her to tackle Bach's Goldberg Variations on the piano, and poignantly she refocused on her artistic nature. There is such feeling and care on each page of Browning's well-honed memoir—her rediscovery of nature, her avowal to let love find her rather than seek it, tapping satisfying work at her own keyboard—that the reader is swept along in a pleasant mood of transcendence.
Publishers Weekly