Book Reviews
Sedaris tallies up the last 25 years, the prime of his life, and isn't impressed by the sum: "How had 9,125 relatively uneventful days passed so quickly," he writes, "and how can I keep it from happening again?" As usual, Sedaris has lots of answers to the first question but not many to the second in this delightful compilation of essays circling the theme of death and dying, with nods to the French countryside, art collecting and feces.
Vanessa Grigoriadis - New York Times
David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art.
Christian Science Monitor
The Sedaris genius is to be incredibly particular, not to mention peculiar, and yet take fantastic and rapid leaps to the universal.... He'll be telling some weird story, and all of a sudden, just at the end, it turns out not only to be about him, but also about you. He's a master at evoking fellow feeling.
Nancy Dalva - New York Observer
(Audio version.) Sedaris's sparkling essays always shimmer more brightly when read aloud by the author. And his expert timing, mimicry and droll asides are never more polished than during live performances in front of an audience. Happily, four of the 22 pieces are live recordings, and listeners can hear Sedaris's energy increase from the roaring, rolling laughter of the appreciative audience. Sedaris's studio recording of his 10-page "Of Mice and Men" runs 16 minutes, while the live recording of "Town and Country," which runs the same length in print, expands to 22 minutes thanks to an audience that often doesn't let him finish a sentence without making him pause for laughter to subside. The studio recordings usually begin with an acoustic bass and brief sound effect (a buzzing fly, the lighting of a cigarette, the clinking of ice in a drink, etc.). Sedaris's brilliant magnum opus, "The Smoking Section" (about his successful trip to Tokyo to quit smoking) stretches across the final two CDs.
Publishers Weekly
(Audio version.) Sedaris once again enchants and amuses with his observations about the absurdity of ordinary life situations in this, his sixth collection of essays. As wonderful as it is reading Sedaris's work, it's an even greater pleasure listening to him read it himself, as he provides just the right delivery and cadence to maximize the humor (four of the recordings are live). Track listings with titles are printed on each CD, allowing listeners to find their favorites easily. Highly recommended for all collections.
Library Journal
This latest collection of 22 essays proves that not only does Sedaris still have it, but he’s also getting better. True, the terrain is familiar.... Nevertheless, Sedaris’ best stuff will still—after all this time—move, surprise, and entertain. —Jerry Eberle
Booklist
Older, wiser, smarter and meaner, Sedaris defies the odds once again by delivering an intelligent take on the banalities of an absurd life. The author's faithful fans probably won't be turned off by his copyright-page admission that these pieces, most seen before in the New Yorker, are only "realish." They feel real, whether Sedaris is revealing his troubling obsession with a certain species of spider or describing a lift from a tow-truck driver who kept saying things like, "yes, indeedy, a little oral give-and-take would feel pretty good right about now"—the ring of truth adds to the book's horrified-laughter factor. The author still draws from the well of familial tragicomedy in pieces that dissect his parents' taste in modern art ("Adult Figures Charging Toward a Concrete Toadstool") and their reactions to what he wrote about them in his first book ("fifty pages later, they were boarding up the door and looking for ways to disguise themselves"). Most of the essays, however, chronicle expatriate life in England, France and Japan with his long-suffering and improbably talented boyfriend Hugh. Sedaris positions himself as a hapless Bertie Wooster to Hugh's Jeeves, lazily allowing his partner's mother to clean their apartment ("I just sit in a rocker, raising my feet every now and then so she can pass the vacuum") and marveling at Hugh's interest in, well, doing things. A highpoint is "All the Beauty You Will Ever Need," which starts as a rant about his boyfriend's ludicrous self-sufficiency ("Hugh beats underpants against river rocks or decides that it might be fun to grind his own flour") but twists into a sharp declaration of love that's all the more touching for its lack of sentimentality. Just when Sedaris seems to have disappeared down the rabbit hole of ironic introspection, he delivers a cracking blow of insight that leaves you reeling.
Kirkus Reviews