The Absolutely True Diary of a Part-Time Indian
Sherman Alexie (Illus., Ellen Forney), 2007
Little, Brown Books for Young Readers
240 pp.
ISBN-13: 9780316013680
Summary
Winner, 2007 National Book Award
The story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation.
Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot.
Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.
With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and four-color interior art throughout, this edition is perfect for fans and collectors alike. (From the publisher.)
Author Bio
• Birth—October 7, 1966
• Raised—Spokane, Washington, Indian Reservation
• Education—B.A., Washington State University
• Awards—National Book Award; PEN/Faulkner Award
• Currently—lives in Seattle, Washington
Sherman Joseph Alexie, Jr. is an American poet, writer, and filmmaker. Much of his writing draws on his experiences as a Native American with ancestry of several tribes, growing up on the Spokane Indian Reservation. He lives in Seattle, Washington.
Childhood
Alexie was born in 1966 at Sacred Heart Hospital in Spokane, Washington, and spent his childhood on the Spokane Indian Reservation, located west of Spokane. His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe (though a grandfather was of Russian descent). Alexie's mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry.
Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the cranial cavity. He underwent brain surgery when he was only six months old and was not expected to survive or, if he did, would be at high risk of mental disabilities. Alexie's surgery was successful and he survived with no mental damage but had other effects.
His father was an alcoholic who often left the house for days at a time. To support her six children, Alexie's mother Lillian sewed quilts and worked as a clerk at the Wellpinit Trading Post.
Alexie has described his life at the reservation school as challenging because he was constantly teased by other kids. He was nicknamed "The Globe" because his head was larger than usual due to the hydrocephalus. Until the age of seven, Alexie suffered from seizures and bedwetting and had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. However, he excelled academically, reading everything available, including auto repair manuals.
Education
In order to better his education, Alexie decided to leave the reservation and attend high school in Reardan, Washington, 22 miles off the reservation. The only Native American student, he excelled at his studies, became a star player on the basketball team, and was elected class president. He was also a member of the debate team.
His success in high school won him a scholarship in 1985 to Gonzaga University, a Roman Catholic university in Spokane. Originally enrolling in the pre-med program, he found he was squeamish during dissection in his anatomy classes. He switched to law but found that unsuitable, as well. Feeling pressure to succeed and beset with anxieity, he began drinking.
In 1987 Alexie dropped out of Gonzaga and enrolled at Washington State University. He was at a low point in his life when he enrolled in a creative writing course taught by Alex Kuo, a respected poet of Chinese-American background. Kuo served as a mentor to Alexie and gave him Songs of This Earth on Turtle's Back, an anthology by Joseph Bruchac. It was a book, Alexie later said, that changed his life—teaching him "how to connect to non-Native literature in a new way." He remained similarly inspired, however, by Native American poets.
With his new appreciation of poetry, Alexie started work on his first collection, The Business of Fancydancing: Stories and Viviane Poems, published in 1992. With that success, Alexie stopped drinking and quit school just three credits short of a degree. Three years later, however, in 1995 he finally attained his bachelor's from Washington State University.
Short stories
Some of Alexie's best-known works are The Lone Ranger and Tonto Fistfight in Heaven (1993), a collection of short stories, and Smoke Signals (1998), a film based on that collection, for which he also wrote the screenplay.
His stories have been included in several anthologies, including The Best American Short Stories 2004, edited by Lorrie Moore; and Pushcart Prize XXIX of the Small Presses. Additionally, a number of his pieces have been published in various literary magazines and journals, as well as online publications.
His 2009 collection of short stories and poems, War Dances, won the 2010 PEN/Faulkner Award for Fiction.
Novels
Alexie's first novel, Reservation Blues (1995), revisits some of the characters from The Lone Ranger and Tonto Fistfight in Heaven. Thomas Builds-the-Fire, Victor Joseph, and Junior Polatkin, who have grown up together on the Spokane Indian reservation, were teenagers in the short story collection. In Reservation Blues they are now adult men in their thirties. The novel received one of the fifteen 1996 American Book Awards.
Indian Killer (1996) is a murder mystery set among Native American adults in contemporary Seattle, where the characters struggle with urban life, mental health, and the knowledge there is a serial killer on the loose.
The Absolutely True Diary of a Part-Time Indian (2007) is a semi-autobiographical, coming-of-age story that began as a memoir of Alexie's life and family on the Spokane Indian reservation. The novel focuses on a fourteen-year-old Indian named Arnold Spirit and won the 2007 U.S. National Book Award for Young People's Literature. It also won the Odyssey Award as best 2008 audiobook for young people (read by the author himself).
Films
In 1998 Alexie broke barriers by creating the first all-Indian movie, Smoke Signals. Alexie based the screenplay on his short story collection, The Lone Ranger and Tonto Fistfight in Heaven, and characters and events from a number of Alexie's works make appearances in the film.
The Business of Fancydancing, written and directed by Alexie in 2002, explores themes of Indian identity, cultural involvement vs. blood quantum, living on the reservation or off it, and other issues around what makes someone a "real Indian." The title refers to the protagonist's choice to leave the reservation and make his living performing for predominantly white audiences. Much of the dialogue was improvised, based on real events in the actors' lives.
Style and themes
Alexie's poetry, short stories and novels explore themes of despair, poverty, violence, and alcoholism in the lives of Native American people living on and off the reservation. Although exploring grim subjects, the works are leavened by wit and humor.
According to Sarah A. Quirk from the Dictionary of Library Biography, Alexie asks three questions across all of his works:
What does it mean to live as an Indian in this time?
What does it mean to be an Indian man?
What does it mean to live on an Indian reservation?
The protagonists in most of his literary works exhibit a constant struggle with themselves and their own sense of powerlessness in white American society.
Alexie’s writings "blends elements of popular culture, Indian spirituality, and the drudgery of poverty-ridden reservation life to create his characters and the world they inhabit," according to Quirk. His work is laced with often startling humor.
Personal
In 2005, Alexie became a founding board member of Longhouse Media, a non-profit organization that teaches filmmaking skills to Native American youth. It holds to the belief that media can be used for both cultural expression and social change.
Alexie is married to Diane Tomhave, who is of Hidatsa, Ho-Chunk and Potawatomi heritage. They live in Seattle with their two sons. (Adapted from Wikipoedia. Retrieved 1/31/2016.)
Book Reviews
This is a gem of a book....may be [Sherman Alexie's] best work yet.
New York Times
Sure to resonate and lift spirits of all ages for years to come.
USA Today
Fierce observations and sharp sense of humor...hilarious language.
Newsday
[Alexie] has created an endearing teen protagonist in his own likeness and placed him in the here and now.
Minneapolis Star Tribune
Exceptionally good....Arnold is a wonderful character.
Miami Herald
(Starred review.) Screenwriter, novelist and poet, Alexie bounds into YA with what might be a Native American equivalent of Angela’s Ashes, a coming-of-age story so well observed that its very rootedness in one specific culture is also what lends it universality, and so emotionally honest that the humor almost always proves painful (Ages 14-up).
Publishers Weekly
(Starred review.) Exploring Indian identity, both self and tribal, Alexie's first young adult novel is a semiautobiographical chronicle of Arnold Spirit.... The teen's determination to both improve himself and overcome poverty, despite the handicaps of birth, circumstances, and race, delivers a positive message in a low-key manner (Grade 7–10). —Chris Shoemaker, New York Public Library
School Library Journal
Alexie's humor and prose are easygoing and well suited to his young audience, and he doesn't pull many punches as he levels his eye at stereotypes both warranted and inapt. A few of the plotlines fade to gray by the end, but this ultimately affirms the incredible power of best friends to hurt and heal in equal measure. —Ian Chipman
Booklist
(Starred review.) [S]harp wit with unapologetic emotion.... The reservation’s poverty and desolate alcoholism offer early mortality and broken dreams, but Junior’s knowledge that he must leave is rooted in love and respect for his family and the Spokane tribe.... [His] fluid narration deftly mingles raw feeling with funny, sardonic insight.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help start a discussion for The Absolutely True Diary of a Part-Time Indian:
1. How would you describe Arnold—both at the beginning of the book and at the end? In what ways does he change? What does he come to realize about being an Indian man?
2. What do you think about Arnold's comment, "I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats”? Is his cartooning an escape that distracts him from learning how to face difficulties and disappointments in life? Or is it a necessary life saver? How would you console—or counsel—Arnold?
3. Do Ellen Forney's illustrations enhance the book for you? Did you find them enlightening, funny, endearing, or distracting?
4. Talk about life on the reservation. Consider Arnold's dental care (10 teeth pulled in a single day) and finding his mother's name in his science book. Contrast conditions at the white school off the reservation.
4. What do you think about Mr. P's remark: "The only thing you kids are being taught is how to give up"? Why does he say this to Arnold?
5. What is it about Arnold that eventually earns him the respect of the white kids in Reardon? Is their respect genuine?
6. Why do members of the tribe, even his best friend, feel Arnold is a traitor? Has he betrayed his community? What—or who—is Arnold's community?
7. Talk about Sherman Alexie's use of humor in this book. Why might he have employed it, especially in the face of grinding poverty and the tragedies that take place on the reservation?
8. What have you learned about life on a reservation after having read The Absolutely True Diary of a Part-Time Indian? We you surprised by the conditions on the reservation? Or did the book confirm what you'd known (or suspected) before?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)