Harry Potter and the Deathly Hallows (Harry Potter #7)
J.K. Rowling, 2007
Scholastic, Inc.
759 pp.
ISBN-13: 9780545139700
Summary
In Harry Potter and the Deathly Hallows, the seventh and final book in the epic tale of Harry Potter, Harry and Lord Voldemort each prepare for their ultimate encounter.
Voldemort takes control of the Ministry of Magic, installs Severus Snape as headmaster at Hogwarts, and sends his Death Eaters across the country to wreak havoc and find Harry. Meanwhile, Harry, Ron, and Hermione embark on a desperate quest the length and breadth of Britain, trying to locate and destroy Voldemort’s four remaining Horcruxes, the magical objects in which he has hidden parts of his broken soul. They visit the Burrow, Grimmauld Place, the Ministry, Godric’s Hollow, Malfoy Manor, Diagon Alley…
But every time they solve one mystery, three more evolve—and not just about Voldemort, but about Dumbledore, and Harry’s own past, and three mysterious objects called the Deathly Hallows. The Hallows are literally things out of a children’s tale, which, if real, promise to make their possessor the “Master of Death;” and they ensnare Harry with their tantalizing claim of invulnerability.
It is only after a nigh-unbearable loss that he is brought back to his true purpose, and the trio returns to Hogwarts for the final breathtaking battle between the forces of good and evil. They fight the Death Eaters alongside members of the Order of the Phoenix, Dumbledore’s Army, the Weasley clan, and the full array of Hogwarts teachers and students.
Yet everything turns upon the moment the entire series has been building up to, the same meeting with which our story began: the moment when Harry and Voldemort face each other at last. (From the publisher.)
Author Bio
• Birth—July 31, 1965
• Where—Chipping Sodbury near Bristol, England (UK)
• Education—Exeter University
• Awards—3 Nestle Smarties Awards; British Book Award-
Children's Book of the Year; Children's Book Award;
Whitbread Children's Book of the Year; British Book Awards-
Author of the Year; British Book Awards-Book of the Year.
• Currently—lives in Perthshire, Scotland and London, England
Joanne "Jo" Rowling, better known under the pen name J. K. Rowling, is a British author known as the creator of the Harry Potter fantasy series, the idea for which was conceived while on a train trip from Manchester to London in 1990. The Potter books have gained worldwide attention, won multiple awards, sold more than 400 million copies, and been the basis for a popular series of films.
Rowling is perhaps equally famous for her "rags to riches" life story, in which she progressed from living on welfare to multi-millionaire status within five years. As of March 2010, when its latest world billionaires list was published, Forbes estimated Rowling's net worth to be $1 billion. The 2008 Sunday Times Rich List estimated Rowling's fortune at £560 million ($798 million), ranking her as the twelfth richest woman in Great Britain. Forbes ranked Rowling as the forty-eighth most powerful celebrity of 2007, and Time magazine named her as a runner-up for its 2007 Person of the Year, noting the social, moral, and political inspiration she has given her fandom. She has become a notable philanthropist, supporting such charities as Comic Relief, One Parent Families, Multiple Sclerosis Society of Great Britain, and the Children's High Level Group.
Early years
Rowling was born to Peter James Rowling and Anne Rowling (nee Volant), on 31 July 1965 in Yate, Gloucestershire, England, 10 miles (16.1 km) northeast of Bristol. The family moved to the nearby village Winterbourne when Rowling was four. She attended St Michael's Primary School, a school founded by abolitionist William Wilberforce. (The school's headmaster has been suggested as the inspiration for Harry Potter's Albus Dumbledore).
As a child, Rowling often wrote fantasy stories, which she would read to her sister. "I can still remember me telling her a story in which she fell down a rabbit hole and was fed strawberries by the rabbit family inside it. Certainly the first story I ever wrote down (when I was five or six) was about a rabbit called "Rabbit." He got the measles and was visited by his friends, including a giant bee called Miss Bee." When she was a young teenager, her great aunt gave her a very old copy of Jessica Mitford's autobiography, Hons and Rebels. Mitford became Rowling's heroine, and Rowling subsequently read all of her books.
She attended secondary school at Wyedean School and College, where her mother, Anne, had worked as a technician in the Science Department. Rowling has said of her adolescence, "Hermione [A bookish, know-it-all Harry Potter character] is loosely based on me. She's a caricature of me when I was eleven, which I'm not particularly proud of." Sean Harris, her best friend in the Upper Sixth owned a turquoise Ford Anglia, which she says inspired the one in her books. "Ron Weasley [Harry Potter's best friend] isn't a living portrait of Sean, but he really is very Sean-ish."
Rowling read for a BA in French and Classics at the University of Exeter. After a year of study in Paris, Rowling moved to London to work as a researcher and bilingual secretary for Amnesty International.
In 1990, while she was on a four-hour-delayed train trip from Manchester to London, the idea for a story of a young boy attending a school of wizardry "came fully formed" into her mind. When she had reached her Clapham Junction flat, she began to write immediately. In December of that same year, Rowling’s mother died, after a ten-year battle with multiple sclerosis, a death that heavily affected her writing: she introduced much more detail about Harry's loss in the first book, because she knew about how it felt.
Rowling then moved to Porto, Portugal to teach English as a foreign language. While there she married Portuguese television journalist Jorge Arantes in 1992. Their child, Jessica Isabel Rowling Arantes (named after Jessica Mitford), was born in 1993 in Portugal. The couple separated in November 1993. In December 1993, Rowling and her daughter moved to be near her sister in Edinburgh, Scotland. During this period Rowling was diagnosed with clinical depression, which brought her the idea of Dementors, soul-sucking creatures introduced in the third book.
After Jessica's birth and the separation from her husband, Rowling had left her teaching job in Portugal. In order to teach in Scotland she would need a postgraduate certificate of education (PGCE), requiring a full-time, year-long course of study. She began this course in August 1995, after completing her first novel while having survived on state welfare support.
She wrote in many cafes, especially Nicolson's Cafe, whenever she could get Jessica to fall asleep. As she stated on the American TV program A&E Biography, one of the reasons she wrote in cafes was not because her flat had no heat, but because taking her baby out for a walk was the best way to make her fall asleep.
Harry Potter books
In 1995, Rowling finished her manuscript for Harry Potter and the Philosopher's Stone on an old manual typewriter. The book was submitted to twelve publishing houses, all of which rejected the manuscript. A year later she was finally given the green light (and a £1500 advance) by Bloomsbury, a small British publishing house in London, England. The decision to publish Rowling's book apparently owes much to Alice Newton, the eight-year-old daughter of Bloomsbury’s chairman, who was given the first chapter to review by her father and immediately demanded the next.
Although Bloomsbury agreed to publish the book, her editor Barry Cunningham says that he advised Rowling to get a day job, since she had little chance of making money in children’s books. Soon after, in 1997, Rowling received an £8000 grant from the Scottish Arts Council to enable her to continue writing. The following spring, an auction was held in the United States for the rights to publish the novel, and was won by Scholastic Inc., for $105,000. Rowling has said she “nearly died” when she heard the news.
In June 1997, Bloomsbury published Philosopher’s Stone with an initial print-run of 1000 copies, five hundred of which were distributed to libraries. Today, such copies are valued between £16,000 and £25,000. Five months later, the book won its first award, a Nestle Smarties Book Prize. In February, the novel won the prestigious British Book Award for Children’s Book of the Year, and later, the Children’s Book Award. Its sequel, Harry Potter and the Chamber of Secrets, was published in July, 1998.
In December 1999, the third novel, Harry Potter and the Prisoner of Azkaban, won the Smarties Prize, making Rowling the first person to win the award three times running. She later withdrew the fourth Harry Potter novel from contention to allow other books a fair chance. In January 2000, Prisoner of Azkaban won the inaugural Whitbread Children’s Book of the Year award, though it lost the Book of the Year prize to Seamus Heaney’s translation of Beowulf.
The fourth book, Harry Potter and the Goblet of Fire, was released simultaneously in the UK and the US on 8 July 2000, and broke sales records in both countries. Some 372,775 copies of the book were sold in its first day in the UK, almost equalling the number Prisoner of Azkaban sold during its first year. In the US, the book sold three million copies in its first 48 hours, smashing all literary sales records. Rowling admitted that she had had a moment of crisis while writing the novel; "Halfway through writing Four, I realised there was a serious fault with the plot....I've had some of my blackest moments with this book..... One chapter I rewrote 13 times, though no-one who has read it can spot which one or know the pain it caused me." Rowling was named author of the year in the 2000 British Book Awards.
A wait of three years occurred between the release of Goblet of Fire and the fifth Harry Potter novel, Harry Potter and the Order of the Phoenix. This gap led to press speculation that Rowling had developed writer's block, speculations she fervently denied. Rowling later admitted that writing the book was a chore. "I think Phoenix could have been shorter", she told Lev Grossman, "I knew that, and I ran out of time and energy toward the end."
The sixth book, Harry Potter and the Half-Blood Prince, was released on 16 July 2005. It too broke all sales records, selling nine million copies in its first 24 hours of release. While writing, she told a fan online, "Book six has been planned for years, but before I started writing seriously I spend two months re-visiting the plan and making absolutely sure I knew what I was doing." She noted on her website that the opening chapter of book six, which features a conversation between the Minister of Magic and the British Prime Minister, had been intended as the first chapter first for Philosopher's Stone, then Chamber of Secrets then Prisoner of Azkaban. In 2006, Half-Blood Prince received the Book of the Year prize at the British Book Awards.
Harry Potter and the Deathly Hallows was released in July, 2007, (0:00 BST) and broke its predecessor's record as the fastest-selling book of all time. It sold 11 million copies in the first day of release in the United Kingdom and United States. She has said that the last chapter of the book was written "in something like 1990", as part of her earliest work on the entire series. During a year period when Rowling was completing the last book, she allowed herself to be filmed for a documentary which aired in Britain on ITV on 30 December 2007. It was entitled J K Rowling... A Year In The Life and showed her returning to her old Edinburgh tenement flat where she lived, and completed the first Harry Potter book. Re-visiting the flat for the first time reduced her to tears, saying it was "really where I turned my life around completely."
Harry Potter is now a global brand worth an estimated £7 billion ($15 billion), and the last four Harry Potter books have consecutively set records as the fastest-selling books in history. The series, totalling 4,195 pages, has been translated, in whole or in part, into 65 languages.
The Harry Potter books have also gained recognition for sparking an interest in reading among the young at a time when children were thought to be abandoning books for computers and television, although the series' overall impact on children's reading habits has been questioned.
Life after Harry Potter
Forbes has named Rowling as the first person to become a U.S.-dollar billionaire by writing books, the second-richest female entertainer and the 1,062nd richest person in the world. When first listed as a billionaire by Forbes in 2004, Rowling disputed the calculations and said she had plenty of money, but was not a billionaire. In addition, the 2008 Sunday Times Rich List named Rowling the 144th richest person in Britain. In 2001, Rowling purchased a luxurious nineteenth-century estate house, Killiechassie House, on the banks of the River Tay, near Aberfeldy, in Perth and Kinross, Scotland. Rowling also owns a home in Merchiston, Edinburgh, and a £4.5 million ($9 million) Georgian house in Kensington, West London, (on a street with 24-hour security).
On 26 December 2001, Rowling married Neil Michael Murray (born 30 June 1971), an anaesthetist, in a private ceremony at her Aberfeldy home. Their son was born in 2003 and a daughter in 2005.
In the UK, Rowling has received honorary degrees from St Andrews University, the University of Edinburgh, Napier University, the University of Exeter and the University of Aberdeen; and in the US, from Harvard. She has been awarded the Légion d'honneur by French President Nicolas Sarkozy. (During the Elysée Palace ceremony, she revealed that her maternal French grandfather had also received the Légion d'honneur for his bravery during World War I.) According to Matt Latimer, a former White House administrator for President George W. Bush, Rowling was turned down for the Presidential Medal of Freedom because administration officials believed that the Harry Potter series promoted witchcraft.
Subsequent writing
Rowling has stated that she plans to continue writing, preferably under a pseudonym. Although she "thinks it's unlikely" that she will write another Harry Potter, an "encyclopedia" of wizarding along with unpublished notes may be published sometime in the future. In March 2008, Rowling revealed in interview that she had returned to writing in Edinburgh cafes, intent on composing a new novel for children. "I will continue writing for children because that's what I enjoy," she told the Daily Telegraph. "I am very good at finding a suitable cafe; I blend into the crowd and, of course, I don't sit in the middle of the bar staring all around me." (Adapted from Wikipedia.)
Book Reviews
J. K. Rowling's monumental, spellbinding epic, 10 years in the making, is deeply rooted in traditional literature and Hollywood sagas—from the Greek myths to Dickens and Tolkien to "Star Wars." And true to its roots, it ends not with modernist, "Soprano"-esque equivocation, but with good old-fashioned closure: a big-screen, heart-racing, bone-chilling confrontation and an epilogue that clearly lays out people's fates. Getting to the finish line is not seamless—the last part of Harry Potter and the Deathly Hallows, the seventh and final book in the series, has some lumpy passages of exposition and a couple of clunky detours—but the overall conclusion and its determination of the main characters' story lines possess a convincing inevitability that make some of the prepublication speculation seem curiously blinkered in retrospect.
Michiko Kakutani - New York Times
It's hard to imagine a better ending than the one she's written for her saga after 10 years, more than 4,000 pages and close to 400 million copies in print. Harry Potter and the Deathly Hallows may be a miracle of marketing, but it's also a miraculous book that earns out, emotionally and artistically.... I cried at the end of Harry Potter and the Deathly Hallows. It's that rare thing, an instant classic that earns its catharsis honestly, not through hype or sentiment but through the author's vision and hard work.
Elizabeth Hand - Washington Post
In this concluding volume, Rowling brings together the themes and characters familiar to her readers, providing thrills both expected and unexpected. Harry, Ron, and Hermione set out on the mission left to Harry by Albus Dumbledore, to search for the remaining Horcruxes, the hidden pieces of Voldemort's soul that must be destroyed to ensure his final defeat. Harry and his friends find themselves fugitives, but help comes from unexpected quarters and old friends. Harry is also searching for the truth about Dumbledore's life, as he tries to reconcile rumors about the man's past with the heroic headmaster he thought he knew. The legend of the Deathly Hallows, three magical objects that have the power to overcome death, proves to be related to Dumbledore's past as well as the present conflict. While the plot wanders somewhat on its way there, the final battle with Voldemort, involving a full range of friends and foes, is Rowling at her finest. The headstrong plot involves clues and characters from all of the volumes, building on details and tying up loose ends. An underlying message about the power of truth and redemption is reflected in a range of characters, combining with mythic allusions to give depth to the series as a whole. Hallows continues the darker tone of Half-Blood Prince, and there's no Quidditch to be found here, though there are comic moments. Fans of the series will devour this lengthy tome and will be left hoping for more tales from this fully fleshed out fantastic world. —Beth L. Meister, Pleasant View Elementary School, Franklin, WI
School Library Journal
(Starred review.) Potter fans, relax—this review packs no spoilers. Instead, we're taking advantage of our public platform to praise Rowling for the excellence of her plotting. We can't think of anyone else who has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised us with twists, well-laid traps and Purloined Letter-style tricks. Hallows continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. Perhaps some of the surprises in Hallows don't have quite the punch as those of earlier books, but that may be because of the thoroughness and consistency with which Rowling has created her magical universe, and because we've so raptly absorbed its rules.
We're also seizing the occasion to wish out loud that her editors had done their jobs more actively. It's hard to escape the notion that the first three volumes were more carefully edited than the last four. Hallows doesn't contain the extraneous scenes found in, say, Goblet of Fire, but the momentum is uneven. Rowling is much better at comedy than at fight scenes, and no reader of the sixth book will be startled to hear that Hallows has little humor or that its characters engage in more than a few fights. Surely her editors could have helped her find other methods of building suspense besides the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? Okay, we're quibbling. We know these minor nuisances won't dent readers' enjoyment, at least not this generation of readers; we couldn't put Hallows down ourselves. But we believe Rowling, and future readers, deserved even better.
Publishers Weekly
(Starred review.) An underlying message about the power of truth and redemption is reflected in a range of characters, combining with mythic allusions to give depth to the series as a whole. Hallows continues the darker tone of Half-Blood Prince... [but fans] of the series will devour this lengthy tome and will be left hoping for more tales from this fully fleshed out fantastic world. —Beth L. Meister, Pleasant View Elementary School, Franklin, WI
Booklist
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Harry Potter and the Deathly Hallows:
1. Lord Voldemort created seven Horcruxes to attain immortality. Harry himself was a Horcrux when part of Voldemort's soul was sealed within his body. Harry has the ability to speak Parlestongue as a result of this. Discuss other abilities Harry has that may also be from Voldemort.
2. Before they say good-bye for the last time, Dudley admits that he cares about Harry and thanks him for saving his soul from the Dementors. How does this make Harry feel about his life on Privet Drive?
3. Ron, Fred, George, Hermione, Fleur Delacour and Mundungus Fletcher take Polyjuice Potion to make themselves look like Harry to act as decoys for Voldemort. Why would the Order of the Phoenix pick this group for such a risky plan instead of more advanced wizards?
4. Many readers were very upset about Hedwig being killed. Why do you think there was such a reaction to the pet owl's death?
6. As Harry, Ron and Hermione set off on the mission left to them by Dumbledore, to destroy the final Horcruxes, they start to question what they've been told. Did he expect them to succeed? Did he have a plan for them? Even Harry, who has never questioned Dumbledore's motives, has a period of little faith. What was your opinion of Dumbledore while reading and what were the points that it changed?
7. After she is told that Draco is alive inside the castle, Narcissa Malfoy tells Voldemort that Harry is dead so that she may leave to try to find her son. Voldemort proceeds to hit Harry with multiple Cruciatus Curses, from which Harry feels no pain, and orders Hagrid to carry Harry back to the castle. Is it believable that everyone could be tricked into believing Harry was dead? Why doesn't he feel the curses?
8. Many characters lost their lives in the fight against Lord Voldemort. What death were you most saddened by? Which was a long time coming?
9. Compare the mood of The Deathly Hallows to The Sorcerer's Stone. Some critics have said that Rowling continued writing the series with an adult audience in mind. Are the later books in the series still appropriate for a young audience?
10. Were you satisfied with the epilogue? Imagine the futures of other characters that Rowling did not include.
11. Novelist Elizabeth Hand said that Hallows ends the series nicely, but also made the criticism that "...the spectacularly complex interplay of narrative and character often reads as though an entire trilogy's worth of summing-up has been crammed into one volume." Do you agree? Was the final fight scene overwhelming?
(Questions by Katherine O'Connor of LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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