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Curva Peligrosa 
Lily Iona MacKenzie, 2017
Regal House Publishing
312 pp.
ISBN-13: 9780998839806



Summary
According to Steven Bauer, author of The Strange and Wonderful Tale of Robert McDoodle and A Cat of a Different Color, "Curva Peligrosa is a wildly inventive, consistently engaging, and amusing comic novel, but under its bright exterior lurk darker undertones and truths; it’s a book which attempts to say serious and important things about language, story-telling, mortality, indigenous cultures, love, and sex."

At its center is a big woman—Curva Peligrosa. Over six feet tall, she is possessed of magical powers, adventurous, amorous, sexual, and fecund. She’s got the greenest of thumbs, creating a tropical habitat in an arctic clime, and she has a wicked trigger finger.

When she rides into the town of Weed, Alberta, she’s like a vision out of a surrealistic western, with her exotic entourage—two dogs, Dios and Diosa, and two parrots, Manuel and Pedro—and her glittering gold tooth, her turquoise rings, her serape and flat-brimmed hat, her rifle and six-shooters. After a long—twenty-year-long—trek up the Old North Trail from Mexico, she’s ready to settle down a bit. Her larger-than-life presence more or less overturns the town of Weed, whose inhabitants have never seen anything like her. She’s a curiosity and a marvel, a source of light and heat, a magnet.

In fact, she’s the physical embodiment of the tornado that will hit Weed two years after her arrival, a storm that turns the place upside down and unearths a trove of bones of those who had lived on the land before the Weedites: Native Americans and prehistoric animals.

While the tornado damages Weed and disrupts the lives of its white inhabitants, it provides an opportunity for the relatively feckless (at that point) Billie One-Eye, the putative chief of the local Blackfoot tribe. As he protects the bones and dreams of preserving them, he turns into a true chief when he creates a museum that will honor them.

Curva and Billie share the book with a raft of colorful characters, borrowing from the literary tradition of South American magic realism. Curva Peligrosa attempts to bridge North and South America, Natives and whites, Americans and Canadians, urban and country, nature and technology. It pushes the limits of reality, showing how novel reality is and how real a novel can be in how both depict the everyday.

A love story, Curva Peligrosa reminds us that life is a mystery, inscrutable, as is art, one reflected in the other, an attempt to articulate what is eternally present and true. (From the publisher.)