The Farm
Tim Rob Smith, 2014
Grand Central Publishing
368 pp.
ISBN-13: 9780446572767
Summary
If you refuse to believe me, I will no longer consider you my son.
Daniel believed that his parents were enjoying a peaceful retirement on a remote farm in Sweden. But with a single phone call, everything changes.
Your mother...she's not well, his father tells him. She's been imagining things—terrible, terrible things. She's had a psychotic breakdown, and been committed to a mental hospital.
Before Daniel can board a plane to Sweden, his mother calls: Everything that man has told you is a lie. I'm not mad... I need the police... Meet me at Heathrow.
Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a crime and a conspiracy that implicates his own father. (From the publisher.)
Author Bio
• Birth—February 19, 1979
• Where—London, England
• Education—B.A., Cambridge University
• Awards—ITW Thriller Award, Best First Novel; CWA Steel Dagger Award
• Currently—lives in London, England
After graduating from Cambridge University in 2001 and spending a year in Italy on a creative writing scholarship, Tom Rob Smith went to work writing scripts and storylines for British television. He lived for a while in Phnom Penh, working on Cambodia's first-ever soap opera and doing freelance screenwriting in his spare time.
While researching material for a film adaptation of a short story by British sci-fi writer Jeff Noon, Smith stumbled across the real-life case of "Rostov Ripper" Andrei Chikkatilo, a Russian serial killer who murdered more than 60 women and children in the 1980s. Chikkatilo's killing spree went unchecked for nearly 13 years, largely because Soviet officials refused to admit that crime existed in their perfect state. Intrigued, Smith recognized the potential of this concept as a work of fiction and worked up a script "treatment." His agent, however, suggested the material would be better showcased in a novel.
The result was Child 44, a gripping crime thriller about a Soviet policeman determined to stop a child serial killer his superiors won't even admit exists. Smith upped the action ante by setting the story in the Stalinist era of the 1950s, a period when opposing the state could cost you your life. And, in MGB officer Leo Stepanovich Demidov, he created the most fascinating Russian detective since Martin Cruz Smith's Arkady Renko.
Child 44 became the object of an intense bidding war at the 2007 London Book Fair. (The buzz only increased when director Ridley Scott bought the film rights.) But the book proved worthy of its hype, garnering glowing reviews on its publication in the spring of 2008. Scott Turow (no slouch in the thriller department himself) proclaimed, "Child 44 is a remarkable debut novel—inventive, edgy and relentlessly gripping from the first page to the last."
Extras
From a 2008 Barnes and Noble interview:
• One of my first jobs was working in a sports complex, and I had to fill up all the vending machines. It was boring work and lonely, carrying boxes of Mars Bars down very long, fluorescent-lit corridors. But a moment sticks out. I was restocking a machine when a young boy, maybe five years old, approached me and asked if he could have a chocolate bar. I told him they were for sale: he needed to buy one. He thought about this very seriously for a while, ran off, and came back five minutes later with a conker [horse chestnut]. He honestly believed this was a fair exchange. I guess it must have had some value to him. Anyway, I gave him the chocolate bar for free. It wasn't mine, I suppose, to give away, but it made a dull day a little brighter."
• My Swedish grandparents used to be beekeepers. They made the best honey I've ever tasted. I spent my summer holidays living on their farm. It was a wonderful place to spend a summer. My parents, now retired, live on a small farm—a different farm—near the sea in the South of Sweden. So now I have another place to retreat from the world. They're not beekeepers though.
• I like running, although I suffer from a problem with my knees. They slide out of position, which has caused me some problems recently. If anyone out there can help, I'd be more than happy to hear suggestions. Hours of physiotherapy haven't really worked."
• When asked what book that most influenced his life or career as a writer, here is what Smith said:
In terms of my career as a writer, I'm going to pick Robert Conquest's The Harvest of Sorrow. It played a crucial part in my decision to write Child 44.
Back in August 2005, all I had was a story outline. It was set in a period I didn't, in all honesty, know that much about. I remember walking into a book shop in Piccadilly and browsing the Russian History section. The prologue was set in the famines of the 1930s, so Conquest's book seemed an obvious purchase. Had the book been oblique or impenetrable, had the book not engaged me emotionally, I'm not sure I would've taken the plunge. As it happened, Conquest's book provided me with a jolt of energy. It's a remarkable read—brilliantly lucid, yet never clinical or detached. There's a cool-headed outrage at the events it describes.
It's one thing to have the broad brushstrokes of a story, but it was when tiny moments started to occur to me, that's when I knew I could write Child 44. It was while reading Conquest's descriptions of villages where all the dogs and cats had been eaten that I began to wonder if there had been someone who loved their cat so much that they couldn't bear to eat it—even when they were starving to death. That was how the character of Maria (from the opening paragraph) was born. (Author bio and interview from Barnes and Noble.)
Book Reviews
Is there anything more innerving than the realization that you can't trust your own mother? Maybe the realization that you can't trust your father either. That's the killer premise of The Farm.
New York Times Book Review
The Farm sustains its high dramatic pitch from London to Sweden and back through an immersive and tough-to-predict series of revelations about falsehoods and fantasies.
Philadelphia Inquirer
A cast-iron premise and a breathtaking opening... Smith has constructed a canny and enthralling story, one that veers off in unexpected ways to complicate and deepen his carefully timed plot. Throughout, he keeps us off-kilter at every turn.
Seattle Times
Tom Rob Smith breathes new life into the landscape, transcending the traditional crime fiction genre with an intricately-knitted thriller steeped in mythology...[Smith] demonstrates the same craftsmanship that saw his highly-acclaimed novel Child 44 claim the Galaxy Book Award for Best New Writer and [be] long-listed for the Manbooker Prize, among its many plaudits. Meticulously weaving together literary themes of revenge and madness...this latest offering is a tapestry of fairytales old and new; so unsettling and oppressive that it blurs the distinctions between sanity and madness, reality and fantasy, leaving the reader guessing until the bitter end.
Independent (UK)
This is a neatly plotted book full of stories within stories, which gradually unravel to confound our expectations...Smith's twisting, turning novel shows that Scandi crime also retains the ability to surprise and thrill.
Guardian (UK)
Tom Rob Smith's The Farm is an absorbing, unsettling, multilayered novel...The Farm is beautifully crafted, its effect enhanced by the author's admission that his own family faced a similar experience."
Times (UK)
"Impossible to put down" has become as overused a thing to say about books as the one saying that the people writing them should stick with what they know. In the case of The Farm, it is close to true (I read it in about three sittings and real life felt like an impertinent interruption whenever I had to put it down). Child 44 was one of those rare books that managed to thrill both the Booker judges and the Richard and Judy brigade. The Farm is, perhaps, even better. It is so good, in fact, that you will finish it quickly and then be jealous of anyone who hasn't read it yet.
Independent (UK)
Gripping, atmospheric...This absorbing novel thrives on gradually revealing the intimate details of lives, showing how they become hidden not only from strangers, but from those closest to them. The relationship between parents and children is excellently explored as the author traces the toxic effect of lies and reveals some shocking home truths.
Observer (UK)
(Starred review.) A...superior psychological thriller.... [H]is father...tells Daniel that his mother is in the hospital.... [His mother insists]...that she has been plotted against, leaving Daniel uncertain as to whom and what to believe. Smith keeps the reader guessing up to the powerfully effective resolution that’s refreshingly devoid of contrivances.
Publishers Weekly
The unreliability of Tilde's narration—is she telling the truth about this sinister scheme or is she crazy?—provides the novel with a constant tension, but her deliberate and frustrating withholding of information also keeps it from truly taking off. Still, this is a worthy addition to the growing canon of Scandinavian crime thrillers that also includes Stieg Larsson and Jo Nesbo. —Michael Pucci, South Orange P.L., NJ
Library Journal
From the very first page, The Farm has all the trappings of a thriller with a deep, dark conspiracy at its heart, but Smith isn't content to stick to formulas.... [A] thriller that weaves a satisfyingly juicy web of deception and is also an unpredictable page-turner. It's a rare thing to see an author so completely embody the trappings of his genre and also surprise the reader.
BookPage
Smith does creepy very well, setting scenes that slowly build in intensity, and he keeps readers guessing about who can and cannot be trusted. He also has a knack for finding the ominous in the picturesque.... A satisfying mystery on ground that, though familiar, manages to yield surprises in Smith's skillful telling.
Kirkus Reviews
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