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Is there anything more innerving than the realization that you can't trust your own mother? Maybe the realization that you can't trust your father either. That's the killer premise of The Farm.
New York Times Book Review


The Farm sustains its high dramatic pitch from London to Sweden and back through an immersive and tough-to-predict series of revelations about falsehoods and fantasies.
Philadelphia Inquirer


A cast-iron premise and a breathtaking opening... Smith has constructed a canny and enthralling story, one that veers off in unexpected ways to complicate and deepen his carefully timed plot. Throughout, he keeps us off-kilter at every turn.
Seattle Times


Tom Rob Smith breathes new life into the landscape, transcending the traditional crime fiction genre with an intricately-knitted thriller steeped in mythology...[Smith] demonstrates the same craftsmanship that saw his highly-acclaimed novel Child 44 claim the Galaxy Book Award for Best New Writer and [be] long-listed for the Manbooker Prize, among its many plaudits. Meticulously weaving together literary themes of revenge and madness...this latest offering is a tapestry of fairytales old and new; so unsettling and oppressive that it blurs the distinctions between sanity and madness, reality and fantasy, leaving the reader guessing until the bitter end.
Independent (UK)


This is a neatly plotted book full of stories within stories, which gradually unravel to confound our expectations...Smith's twisting, turning novel shows that Scandi crime also retains the ability to surprise and thrill.
Guardian (UK)


Tom Rob Smith's The Farm is an absorbing, unsettling, multilayered novel...The Farm is beautifully crafted, its effect enhanced by the author's admission that his own family faced a similar experience."
Times (UK)


"Impossible to put down" has become as overused a thing to say about books as the one saying that the people writing them should stick with what they know. In the case of The Farm, it is close to true (I read it in about three sittings and real life felt like an impertinent interruption whenever I had to put it down). Child 44 was one of those rare books that managed to thrill both the Booker judges and the Richard and Judy brigade. The Farm is, perhaps, even better. It is so good, in fact, that you will finish it quickly and then be jealous of anyone who hasn't read it yet.
Independent (UK)


Gripping, atmospheric...This absorbing novel thrives on gradually revealing the intimate details of lives, showing how they become hidden not only from strangers, but from those closest to them. The relationship between parents and children is excellently explored as the author traces the toxic effect of lies and reveals some shocking home truths.
Observer (UK)


(Starred review.) A...superior psychological thriller.... [H]is father...tells Daniel that his mother is in the hospital.... [His mother insists]...that she has been plotted against, leaving Daniel uncertain as to whom and what to believe. Smith keeps the reader guessing up to the powerfully effective resolution that’s refreshingly devoid of contrivances.
Publishers Weekly


The unreliability of Tilde's narration—is she telling the truth about this sinister scheme or is she crazy?—provides the novel with a constant tension, but her deliberate and frustrating withholding of information also keeps it from truly taking off. Still, this is a worthy addition to the growing canon of Scandinavian crime thrillers that also includes Stieg Larsson and Jo Nesbo. —Michael Pucci, South Orange P.L., NJ
Library Journal


From the very first page, The Farm has all the trappings of a thriller with a deep, dark conspiracy at its heart, but Smith isn't content to stick to formulas.... [A] thriller that weaves a satisfyingly juicy web of deception and is also an unpredictable page-turner. It's a rare thing to see an author so completely embody the trappings of his genre and also surprise the reader.
BookPage


Smith does creepy very well, setting scenes that slowly build in intensity, and he keeps readers guessing about who can and cannot be trusted. He also has a knack for finding the ominous in the picturesque.... A satisfying mystery on ground that, though familiar, manages to yield surprises in Smith's skillful telling.
Kirkus Reviews