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A strong-willed Japanese war bride, Shoko Morgan tries to run the perfect American household but only alienates her native-born children. Not until Shoko s life is fading does her grown daughter Sue travel to Japan and learn who her mother really was. This radiant debut pays moving tribute to the power of forgiveness.
People


How to Be an American Housewife by Margaret Dilloway Nope, this novel s not a Mad Men style throwback but a nuanced debut about what happens when expectations and cultures collide in a family. Shoko is a Japanese immigrant who spent her adult life trying to be the perfect American wife. When her grown daughter, Sue, gets a divorce, Shoko feels that Sue has thrown away the American dream. Does she have a point? And what is the American dream anyway? Put on the snacks and the shiraz and get ready for this novel to spark a late-into-the-night book-club gabfest.
Redbook


In this enchanting first novel, Dilloway mines her own family's history to produce the story of Japanese war bride Shoko, her American daughter, Sue, and their challenging relationship. Following the end of WWII, Japanese shop girl Shoko realizes that her best chance for a future is with an American husband, a decision that causes a decades-long rift with her only brother, Taro. While Shoko blossoms in America with her Mormon husband, GI Charlie Morgan, and their two children, she's constantly reminded that she's an outsider—reinforced by passages from the fictional handbook How to Be an American Housewife. Shoko's attempts to become the perfect American wife hide a secret regarding her son, Mike, and lead her to impossible expectations for Sue. The strained mother-daughter bond begins to shift, however, when a now-grown Sue and her teenage daughter agree to go to Japan in place of Shoko, recently fallen ill, to reunite with Taro. Dilloway splits her narrative gracefully between mother and daughter (giving Shoko the first half, Sue the second), making a beautifully realized whole.
Publishers Weekly


Dilloway narrates from both women’s perspectives, sensitively dramatizing the difficulties and struggles Shoko and Sue faced in being Japanese, American, and housewives. —Carolyn Kubisz
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